Keeping It Real

The facts of life of fiction writing, plus a video with clues about the next Nick Drake novel

I’m rushing to write this because I need to get back to my current work-in-progress. I owe an explanation to readers who’ve asked how could I leave Nick Drake in the equivalent of professional and romantic cliff hangers in the last book while I run off to chase facts in Harney County before finishing the next.

Walking away from a manuscript in midstream is considered a major sin in novel writing circles, but I’d argue not confirming what you’re describing is an even greater transgression. Part of this belief comes from the many years I spent writing newspaper articles, magazine stories, and books on natural history, conservation, and outdoor adventure travel subjects. To me, facts not only matter, they’re sacrosanct.

Spare me the joke that journalism is the world’s second oldest profession and nowhere near as well-compensated as the first. Plenty of creative juice gets spilled reporting the news, whether or not you subscribe to such journalistic techniques as Tom Wolfe’s mau-mauing or Mark Twain’s never letting the facts get in the way of a good story. Good reportage has its place in good fiction writing too.

Characters, conflicts, and very cool stuff was always to be found in the subjects I covered, and I’ve learned the natural world not only is a source and inspiration for a mystery series set in the high lonesome of southeastern Oregon in the late 1960s, but also helps lend authenticity to time, setting, and dialogue. Wildlife, weather, and landscape all play integral roles in the arcs of my stories and development of my characters. They provide action, motivation, and revelation, be it the mindset of a Vietnam War veteran trying to find inner peace as a wildlife ranger, an old lawman striving to bring justice to a beat as flinty as himself, a fiery and beautiful large animal veterinarian proving her gender is no disqualification for a tough job, or a Paiute elder keeping her people’s traditions and culture from going extinct.

Chiseled on a tablet somewhere is the adage Write about what you know. It’s no mystery why I reach back to my environmental reporting days for subject matter when it came to writing crime fiction. What isn’t carved right alongside that advice is the answer to Why do you write in the first place?

Though I once reported about wildlife genetics, I can’t say for certain if genes are a factor when it comes to writing. The same absence of certainty is also true when it comes to whether or not upbringing plays a role. My grandfather was a story teller, penning Jazz Age romances for weekly magazines before getting the call from Hollywood. My mother raised me on a steady diet of what it was like growing up with an itinerant writer for a father—true life adventures of being chased by bill collectors from one town to the next and waking up in a rented bungalow to find Raymond Chandler passed out on the sofa, his fingers still ensconced in the white gloves he wore the night before while drinking gin and playing poker with my grandfather and a pack of other Paramount scribes. Is my writing a product of nature or nurture? Who knows?

What I am certain of is, the natural world provides me with the genesis of stories and it’s up to me to listen and give them a voice. That’s what I was doing on my recent road trip in Harney County. I needed to drive every dirt track I’d be putting Nick and Pudge on when they chased bad guys, learn from experts about the challenges of managing public lands, visit with the archivist at the Burns public library’s fantastic western history room to get dates straight, and talk with long-time residents about everything under the high desert sun, from Paiute traditions to haying techniques. Most of all, I needed to stand atop Steens Mountain and in the middle of Diamond Craters and on the edge of Blitzen Valley to feel the wind, watch the birds gather, and admire the grasses and aspens as they flashed autumn colors.

I don’t profess to being the first author to discover the natural world delivers honesty as well as a roundhouse punch to a story. Read my grandfather’s old pal Raymond Chandler’s opener to “Red Wind” to see what I mean:

“There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands’ necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.”

Okay, I know what you’re thinking by now: “Enough with the navel-twiddling explanations already. Get back to the work-in-progress. Tell us what happens to Nick, Gemma, Pudge, and November.” I will, I promise. In the meantime, here’s a short video of my recent Fall trip through Harney County. I put a couple of clues in it, along with a red herring or two, that reveal plot lines in the next installment which is shaping up to be one heck of a harrowing ride. Everyone likes to be a detective, so let me know what you find. More later.

Click here to watch.


Powerful Medicine

How readers help this writer stay the course

When I completed my latest Nick Drake novel, “The Shaming Eyes,” I experienced a hangover of sorts, a mix of satisfaction, exhaustion, and restlessness. It turns out that’s not uncommon among writers. A clever yet insightful article in the New York Times even coined a term for it: “postwritum depression.”

The piece reported how some authors behaved after typing ‘The End.’ Some did so in celebratory fashion, others seeking solace in the mundane. Jean Auel finished “The Mammoth Hunters” following a 28-hour stint at her desk by quaffing a bottle of champagne and collapsing into bed. Ernest Hemingway yanked the final page of “For Whom The Bells Toll” from his typewriter and then went off to get (wait for it) a haircut. Joyce Carol Oates said finishing a novel is such a wrenching experience that she locks the door to her study, moves to another part of the house, and needs a couple of months to decompress.

I confess to trying a variety of hairs of the dog, but none seemed to relieve the symptoms. Then I took a cue from the first chapter of “The Shaming Eyes” and headed to Wyoming with a goal of seeing the headwaters of the Snake River.

It wasn’t my first visit to the northwest corner of that state. When I was a kid, my parents were in a near fatal car accident that left my father confined to a hospital bed for months. As soon as he was able to walk again, albeit with the aid of a wooden cane, he loaded us into the family station wagon and, against doctor’s orders, sped off to a friend’s ranch in Jackson Hole. There, among grassy fields riven by the braids of a sparkling creek and surrounded by jagged peaks, he recuperated while the rest of us recovered from the trauma of almost losing him by helping out on the ranch, riding horses, and fishing. One night while we were sitting around a campfire, my father wordlessly added his cane to the flames. Its blaze marked the end of a chapter and the beginning of a new.

I’ve made subsequent trips to Wyoming, and on this latest visit, my wife and I rented a cabin made from hand-peeled lodgepole pines 30 miles north of Jackson. Pastureland running to the Snake River that flowed along the foot of the Grand Tetons served as our front yard while cattle and horses were our neighbors. Using the cabin as a basecamp, we explored nearby Yellowstone National Park, taking in everything from roiling mudpots to bear cubs to bison (aka buffalo). The headwaters of the Snake were to be found in the 2-million acre park at the confluence of three streams on the southwest flank of Two Oceans Plateau, so named because creeks on the west side flow to the Pacific, and those on the east to the Atlantic.

We spent a lot of time in neighboring Grand Teton National Park where we kayaked a stretch of the Snake River under the watchful eyes of bald eagles and ospreys who were teaching their fledglings how to fish. We also kayaked on high mountain lakes, took long hikes, and viewed herds of elk grazing peacefully in meadows spangled with wildflowers.

Day’s end would find me wading in the Snake or Gros Ventre or Buffalo Fork casting dry flies for cutthroat trout. Every night, we cooked our dinner outdoors on a charcoal grill as the sun setting behind Mount Moran colored the sky more romantically than any fancy restaurant’s soft lighting ever could. 

I wanted the trip to put time and distance between that novel and the next, and all the outdoor pursuits were proving to be a much needed physical antidote to having sat at a desk pounding a keyboard for months at a time in my usual sprint-to-the-finish manner. The paucity of cellular and internet connection provided an additional layer of insulation from the outside world. I must admit while sitting on the front porch each morning to greet the day and then again in the evening to bid it farewell, I often thought about how easy it would be to slip into that way of life fulltime. I pictured my wife and me felling lodgepole pines ourselves, dragging them to a plot of land alongside a river by draft horse, and building a log cabin like the owner of the beautiful place where we were staying had done.

But as seductive as that siren call was, others grew louder. First came the now familiar voices from five hundred miles away in Harney County, Oregon. With the Snake River serving as a conduit between the two states, I could hear Nick, Gemma, Pudge, and November whispering they still had a lot more stories to tell.

Louder still were the voices of readers who’d discovered the series. Many reached out to tell me they’d taken the characters to heart. There was the sister of a fallen soldier who sent me copies of old snapshots her brother had taken at Khe Sanh, an Army vet still wounded by PTSD who sees himself in Nick, real life ranchers who call Harney County home, and sheriffs and game wardens from around the country. The stories had spoken to them as they had to so many other readers who’d posted comments on social media, emailed me their thoughts and suggestions, and left reviews on Amazon and other sites. Many of those missives shared a common theme: they wanted to know what was going to happen to the characters next and how long they’d have to wait to find out.

The readers reminded me that, with writing, comes great responsibility—a responsibility to honor the connection readers make to the characters. In the end, that reminder, along with their heartfelt words of encouragement and support, proved to be just the remedy I needed.

I’m home now, rested, refreshed, and ready and raring to write. More Nick Drake tales are coming, so please stay tuned. Meanwhile, here are some Wyoming memories.

Click here to watch.

The Tale of a Tiger

Finding inspiration can be as close as home or as far away as the other side of the world. (Video below.)

Before I turned to writing crime fiction novels, I wrote books and magazine articles on wildlife conservation, natural history, and adventure travel. This background has worked its way into my fiction (it’s no coincidence the main character in my Nick Drake Novels is a wildlife ranger). I’ve been fortunate to visit many lands, from the Amazon to Zanzibar, and to spend time with rare and exotic wildlife, including orangutans in Sumatra and great herds of migrating elephants and wildebeest on the Serengeti.

My itch to be in wild places among animals—it’s where I draw inspiration for my work—always needs scratching, and so, when my wife was invited to speak at the World Sustainable Development Summit in India earlier this month, I grabbed my laptop that held my current Nick Drake work-in-progress and buckled up for a 16-hour nonstop flight to Delhi.

When her conference concluded, we drove into Rajasthan, which translates to “Land of Kings.” The largest state by area in India, Rajasthan is in the northwest part of the country and shares a border with Pakistan. It is achingly beautiful with friendly people and a culture steeped in history. It is also home to four national parks and fifteen wildlife sanctuaries.

The first stop on our journey was Keoladeo National Park. Smack dab in the Central Asian Flyway (my Nick Drake readers know he works in a parallel flyway in southeastern Oregon), the park supports more than 360 species of resident birds and many migrants. Among our memorable sightings was an up-close view of one of the world’s highest flying birds, the bar-headed goose whose migration takes it over the Himalayas, and the world’s tallest flying bird (ostriches and emus don’t count), the five-foot tall sarus crane. Incredible.

We concluded our Indian wildlife journey at Ranthambhore National Park. This very special area was once home to palaces and maharajas. Now its king is the endangered Bengal tiger. It also supports leopard, striped hyena, jackal, sloth bear, monkey, and a variety of deer. The sanctuary is a phenomenal conservation success story. Fifteen years ago, only 26 tigers lived here. Through improved management techniques, education, and a crackdown on poaching, the population has reached 75 and is growing.

There was no guarantee we’d see a tiger in the rugged 150 square mile park, but to aid our chances, we befriended a local expert tracker and guide. Did we succeed? Did I find the inspiration I was looking for? See for yourself in the short video below.

Hello, Inspiration. Or, as they say in India, Namaste.

Click Here to Watch

A Philosophical Take on a Murder Mystery

The second in my Nick Drake series, The Pity Heart, was launched less than a month ago, and I’m humbled and honored by the attention it’s getting from readers. Richard B. Schwartz, an author and academic (he’s a Professor of English at the University of Missouri), and a Top 500 Reviewer at Amazon, views crime fiction through a literary and philosophical lens. Here are his thoughts.

Nick Drake Returns in “The Pity Heart”

Every fall, 25 million birds migrate through Malheur National Wildlife Refuge in southeastern Oregon. It’s a wonder to behold, an amazing display of nature’s beauty, power and grace in a starkly spectacular corner of the world. It’s also the location for my new Nick Drake novel, “The Pity Heart.”

Set in 1968 and picking up from where “The Sorrow Hand” left off, Nick Drake is a troubled Vietnam War veteran seeking redemption as a game warden in a quiet land. But when a fighter pilot from a nearby Air Force base mysteriously plummets onto one of his refuges, he is plunged into a deadly showdown with the military. A vexing mystery involving multiple murders ensues, and Nick must turn to the old ways of his Paiute neighbors to hunt for a vicious killer and bring justice to the pitiless high desert.

Early reviews are already awarding “The Pity Heart” Five Stars. Here’s what readers are saying:

★★★★★ Once I started reading, I couldn’t stop.

★★★★★ Beautifully written and pulls you right in.

★★★★★ Vivid, realistic and engaging.

★★★★★ Nick Drake is the Real Deal.

★★★★★ If you like C.J. Box’s Joe Pickett, you will love Nick Drake.

Read the reviews for yourself at “The Pity Heart.”


“The Sorrow Hand” is Coming

My Advanced Reader’s Copy (ARC) team is coming through big time as I switch gears from my Jack McCoul series and introduce a new hero in a new thriller, The Sorrow Hand, set to release July 31. Their comments and insights have been invaluable as I shaped the story and now finalize the manuscript. For me, writing is a collaboration with my readers. To quote John Cheever, “I can’t write without a reader. It’s precisely like a kiss—you can’t do it alone.” A heartfelt Thank You to the entire ARC Team! I’ve included some of their comments below. Frankly, I’m humbled.

The Sorrow Hand is a contemporary western thriller set in Harney County, Oregon in 1968. Nick Drake returns from Vietnam a war hero. He has a chest full of medals and enough demons to fill a duffle bag. He’s been trained to kill, but never retrained to rejoin society. Drake flees to the lonesome high desert in search of redemption. He takes a job as a backcountry ranger where the only conflicts are supposed to be keeping cattle from straying into a remote wildlife refuge. But then he stumbles across a girl’s body ritually placed in a gully. Her murder is only the beginning, and Drake must face humanity’s heart of darkness once again if he’s to stop a killer from turning more gullies into graves.

The ARC Team tells me it will fit right alongside Craig Johnson, C.J. Box, and Nevada Barr. Here’s what they’re saying:

  • “Nick Drake is wonderfully complex. His backstory in Vietnam is beautifully (and horrifically) described.”
  • “Got it on Friday and finished it on Saturday. An amazing read.”
  • “I’m a huge fan of contemporary westerns married with a mystery. This nails it.”
  • “Smart, thrilling, beautifully written, and action-packed.”
  • “I absolutely loved the Native American language and myths.”
  • “The prose crackles.”
  • “The descriptions of the natural surroundings—the land, plants, and animals—put me right there. I could touch, smell, and hear it.”

Look for it!

Kirkus Reviews Gets It with Write-up of New Collection of Short Stories

Kirkus Reviews certainly got it when critiquing my new collection of short fiction OVER OUR HEADS UNDER OUR FEET. Here’s what they wrote:

“A collection of short stories explores a variety of life choices.”

“The titular story of Holing’s (Shake City, 2017, etc.) latest compendium sees a man with early onset dementia immerse himself in the seething vitality of the Serengeti. There develops an uneasy to-and-fro between his knowledge of what awaits him and his memories of married life both blissful yet incomplete, the upshot being that fear gives way to wonder. This, in essence, is the theme of the collection: 10 tales working together to caution readers to make decisions now that will bring contentment when looked back on later in life. This notion comes to the fore particularly in stories of place, such as “Between Wind and Water” and “Yellow Dog.” In the former, a peripatetic, work-obsessed engineer is posted to Hawaii, where the laid-back lifestyle gives pause to his windswept urgency. In the latter, a young woman breaks off her relationship and casts off conventional notions of happiness, forging a new life in vibrant, colorful Mexico. Holing is adroit at hinting at possibilities: nuances of what might or might not happen. These aren’t always resolved—readers expecting twist endings and emotional jolts will be disappointed—but even vignettes such as the forlorn fisherman’s tale “Fish Rap,” the bittersweet carjacking story “The Things You Leave Behind,” and the geologist’s contemplative daydream “When Mountains Melt” deftly add to the overall sense of longing. “Natural Selection,” set in a zoo, pits animal instinct against morality, whereas “Thief in the Night” invokes the cutthroat world of Silicon Valley to suggest that people should stay true to their natures. “Desperados” contrasts modern transience with bucolic ranch life and the capricious wiles of the California Gold Rush. “The Test” examines the desperation and sadness of Chinese adoption. In all these wistful stories, Holing allows room for characterization, often skipping back in time to show aspects of the protagonist’s past. The pacing in most cases is gentle, with the prose an easy mixture of narrative and description. For readers of a particular age who have made and regretted certain decisions in life, Holing’s thoughtful, melancholic writing should sit nicely.”

“Yearning rather than bemoaning; a poignant and altogether agreeable sequence of tales.”

New Collection of Short Stories Just Published

Short fiction is baked into my DNA. My grandfather and namesake, Dwight Mitchell Wiley, wrote regularly for the Saturday Evening Post, Collier’s, and other weekly magazines back when short stories and serials were as eagerly awaited as a binge-worthy TV series being streamed today. I’ve published stories in leading literary journals, won some awards along the way, and now have a new collection for readers to enjoy. It’s called Over Our Heads Under Our Feet. It’s available in print and ebook.

This collection moves from the poignant to the humorous and back again as I take readers on journeys to the wilderness of love where people must reconcile desire and reality. I travel terrains from the exotic to the familiar — from the wilds of Africa where a couple must contend with an unspoken truth to a woman fighting for a child in an orphanage to a wind farmer falling under the spell of an island’s magic. All explore the territory in our heart where the human spirit dwells while marveling at the natural world’s ability to nourish our soul.

I hope you like them.

Cheers,

Dwight

 

What a writer loves to wake up to

Greetings from San Francisco. Now, the only thing better than a double espresso to open your eyes in the morning is to find a review like this one that Richard B. Schwartz, a Top 500 Amazon Reviewer, gave my latest Jack McCoul Caper Shake City.  As the old coffee jingle goes, “Good to the last drop!”

Top customer reviews

Format: Paperback|Verified Purchase

SHAKE CITY is the fourth novel in the Jack McCoul series. Jack lives in the Mission district of San Francisco. A former con man, Jack has gone straight. He is married, has two children and a best friend. He also has an ongoing semi-antagonist in police lieutenant Terry Dolan. Terry still carries a torch for Jack’s wife and enters and exits the narratives, sometimes bringing caustic comments, sometimes bringing actual help.

In SHAKE CITY Jack is a congenial landlord to a stripper enrolled in the local community college, doing her best to become a successful American citizen. He befriends another neighbor, a Syrian who operates a shoe store and has some hidden abilities that come into play at the precise moment when they are particularly needed. An additional neighbor who makes payday loans and ships immigrants’ money back to Mexico is murdered. It quickly becomes clear that a developer is trying to make a move on Jack’s street, squeezing and intimidating tenants, raising rents and, in general, trying to acquire the entire set of parcels for a lucrative project. In short, the novel’s subject is the city itself in changing economic times, with abused immigrants, vast discrepancies in wealth (the Silicon Valley types remain a shadowy but real presence throughout the story) and a continuing set of earthquakes (rising to the 5’s on the Richter scale) that give the book its title and offer a physical metaphor for the economic realities rippling through the city.

When Jack’s friend/spiritual brother Hark is framed for murder Jack springs into action to save him. Fortunately, he is able to enlist the city’s top defense lawyer, Cicero Broadshank, on Hark’s behalf. (Cicero loves a nice slab of prime rib and has one of the best tag names since Henry James’s triple tag-named Fanny Assingham.)

The result is a lively, engaging narrative of brothers in arms, coupled with a paean to the city itself, complete with a memorable trip to a Giants’ game. I love the characters—all of the aforementioned plus Wonder Boy, the stuttering savant/informant/bartender who knows everything that is going on in the city at any moment. This is not an ensemble cast as in, e.g., the Andrew Vachss Burke novels, but a charming assemblage of individuals in Jack McCoul’s fascinating orbit.

I recommend all of the McCoul novels. SHAKE CITY is a fitting addition to the series.

Five Star First Reviews for Shake City (A Jack McCoul Caper Book 4)

Thanks for the encouraging  words for my newest Jack McCoul Caper, SHAKE CITY. Here’s what readers are saying:

on July 9, 2017
Format: Paperback|Verified Purchase
Jack McCoul, our favorite San Franciscan ex-con man is back again in Dwight Holing’s Shake City and this time McCoul’s trying to save his best friend while taking on a corrupt real estate developer who’s got his eye set on a part of San Francisco that is very near and dear to McCoul.

In this fourth book in the series, McCoul, who has finally gone legit (or so it seems), settled down, and started to raise a family, soon finds out that there is no escaping his past when two murders and the arrest of his friend have him right back in the thick of things. And, as McCoul has proven before, it will take his street smarts and con-man savvy to make everything right again.

Holing is brilliant again, as he pits McCoul against the corrupt real estate developer and a few heavies along with his old nemesis Terry Dolan who always seems to keep McCoul from going too far astray. What I have enjoyed most about the books in this series is Holing’s style of writing which is reminiscent of Raymond Chandler and Dashiell Hammett with the way he portrays McCoul and the snappy one-liners that he throws around. Another thing that I have enjoyed is Holing’s obvious love for San Francisco and how the city, especially in this book, becomes one of the characters. It’s a real treat to follow McCoul around the city and all the haunts and landmarks he visits. The City of San Francisco ought to have a Dwight Holing/Jack McCoul day for the way Holing’s love for the city comes through and the tourist attractions he promotes.

This is a riveting and real page-turner of a book with plenty of twists and turns to keep you riveted until the very end. I hope Holing has a more few stories to tell about Jack, Hark, Wonder Boy, Cicero Broadshank, and others!

Jeffrey Miller,
Bureau 39

on July 10, 2017
Format: Kindle Edition|Verified Purchase