Short Arm and the Wood Duck Box

Call it ironic, a twist of fate, or a case of life imitates art. For the past year, I’ve been writing the latest installment in my Nick Drake mystery series. The Demon Skin features a raging river as the principal setting while a deadly whitewater raft trip serves up the action. Shortly after I sent the manuscript to my advance readers and editor in preparation for release, the river I live on began to rage itself.

It all started when back-to-back storms fueled by tropical moisture carried by atmospheric rivers battered California with gale-force winds toppling trees and dumping an estimated 25 trillion gallons of rain, enough to cover the entire state nine inches deep. The relentless deluge turned hillsides into mudslides, destroyed houses, roads, and piers, and so far has tragically killed at least 19 people. Overnight, seasonal creeks and slow, meandering rivers were transformed into torrents. There they remained, including the one I’d always greeted each morning with an appreciative nod while sipping a mug of coffee before sitting down to write.

John Steinbeck once described the Carmel River as “everything a river should be.” It’s not very long and rises in the Santa Lucia Mountains and wraps around boulders and flows through groves of sycamores, white alders, and black cottonwoods on its way to join the Pacific. In summer, sun-dappled pools hold crayfish and trout dart among the riffles. Cool water and leafy trees offer respite from the heat for foxes, deer, mountain lions, and people alike. In winter, the river flashes with short outbursts of fierceness following rainfall. But not this year. The weeks-long tempest fueled by climate change-charged intense weather pushed the Carmel River to the breaking point.

Those who live alongside it were left both wary and in awe of the river’s size, speed, and ferocity. We also rallied to keep each other safe. Sand was hauled in by the truckload and piled in strategic locations on the two-lane that parallels the river. Residents, volunteers, and members of the California Conservation Corps joined forces to shovel, fill, and stack thousands upon thousands of sandbags atop the river’s banks and around houses and businesses. Village restaurants and stores offered free meals. An emergency center was set up at the library.

A nonstop flow of news and calls and texts of what do you know and how can I help traveled up and down the river, trying to keep pace with the hard-charging current that kept rising and was sure to surpass flood stage and trigger an official evacuation order. While we monitored the online network of gauges that measure rainfall, river height, volume, and the speed of the current right down to cubic feet per second that could predict the crest, we also relied on homegrown landmarks to tell us how fast the water was rising in front of our yards and how close it was getting to breaching our sandbag defenses and flooding our homes.

For my wife Annie and me, it was two markers: the stunted bottom limb of a black cottonwood we could see from our kitchen window that we called “Short Arm.” The other was a wood duck box my brother who lives on an Oregon river had given us. I’d fastened it to the trunk of a white alder in hopes of luring a pair of the colorful but elusive waterfowl to take up residence in it and hatch their young.

Short Arm, Annie and I knew, was exactly six feet above the normally lazy gravel river bed. I had to duck my head when walking beneath it. The wood duck box was twice that high. I’d needed a ladder when securing it. As the river rose and started swirling around the trunks of both trees, we kept our eyes on the markers as we stacked sandbags. With rain pounding down, we gritted our teeth and worked faster as Short Arm’s fingers waved a final goodbye before going under. The river kept rising.

With the last sandbag stacked and our go bags packed, we counted down the gap that was quickly shrinking between the top of the river and the bottom of the wood duck box. Five feet. Four feet. Three feet. Two. Our phones were chirping with calls and text messages from Monterey County Emergency Services that the Evacuation Warning had become an Order telling us what we already knew: It was time to get out.

Two single-lane bridges lay between us and the road out. Both were thrumming from the cauldron of whitewater churning inches beneath their steel mesh decks as we crossed over. Heading west on the two-lane, we passed convoys of National Guard trucks and vehicles speeding east carrying emergency responders, heroes all.

We are lucky. We didn’t have far to go to reach a safe and dry place to wait out the storm. Later, when the river had crested just below a historic high set decades ago, we returned home to find the wood duck box had been swept away by the flood, but the top of our sandbag walls that measured a foot higher had held. Our home stayed dry inside. Sadly, we learned, neighbors both upriver and downriver didn’t fare as well. Many homes were flooded, but, fortunately, no lives were lost. The river continued to fall only to rise again as the rains kept coming. Five days later, it reached flood stage for a second time and the order to evacuate sounded once more.

Rain is still falling as I write this, but the forecast calls for a reprieve starting tomorrow. Maybe the storms are over for now. Maybe the sun will break through and shine. If there is solace to be found, it lies in the fact that good comes when a river floods. It washes away deadfall and woody debris. It disperses plants and provides a lift for salmon and steelhead that need to reach the ocean. It primes wetlands and recharges groundwater. And it carries salt from rocks to the sea.

All are good lessons to remember. So is the one Annie and I learned. With a changing climate, intense weather and flooding rivers will certainly continue. As soon as the river is low enough, we’ll shake hands with Short Arm and hang a new wood duck box on the white alder even higher.

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Author Talk

Snow, birds, and words were flying on my recent road trip through Harney County, Oregon scouting locations for my next Nick Drake Novel and stopping by the Harney County Library in Burns for a lively conversation with local readers and writers about how I made the transition from nonfiction to fiction, my writing process, and indie publishing. Watch the video here.

The Tale of a Tiger

Finding inspiration can be as close as home or as far away as the other side of the world. (Video below.)

Before I turned to writing crime fiction novels, I wrote books and magazine articles on wildlife conservation, natural history, and adventure travel. This background has worked its way into my fiction (it’s no coincidence the main character in my Nick Drake Novels is a wildlife ranger). I’ve been fortunate to visit many lands, from the Amazon to Zanzibar, and to spend time with rare and exotic wildlife, including orangutans in Sumatra and great herds of migrating elephants and wildebeest on the Serengeti.

My itch to be in wild places among animals—it’s where I draw inspiration for my work—always needs scratching, and so, when my wife was invited to speak at the World Sustainable Development Summit in India earlier this month, I grabbed my laptop that held my current Nick Drake work-in-progress and buckled up for a 16-hour nonstop flight to Delhi.

When her conference concluded, we drove into Rajasthan, which translates to “Land of Kings.” The largest state by area in India, Rajasthan is in the northwest part of the country and shares a border with Pakistan. It is achingly beautiful with friendly people and a culture steeped in history. It is also home to four national parks and fifteen wildlife sanctuaries.

The first stop on our journey was Keoladeo National Park. Smack dab in the Central Asian Flyway (my Nick Drake readers know he works in a parallel flyway in southeastern Oregon), the park supports more than 360 species of resident birds and many migrants. Among our memorable sightings was an up-close view of one of the world’s highest flying birds, the bar-headed goose whose migration takes it over the Himalayas, and the world’s tallest flying bird (ostriches and emus don’t count), the five-foot tall sarus crane. Incredible.

We concluded our Indian wildlife journey at Ranthambhore National Park. This very special area was once home to palaces and maharajas. Now its king is the endangered Bengal tiger. It also supports leopard, striped hyena, jackal, sloth bear, monkey, and a variety of deer. The sanctuary is a phenomenal conservation success story. Fifteen years ago, only 26 tigers lived here. Through improved management techniques, education, and a crackdown on poaching, the population has reached 75 and is growing.

There was no guarantee we’d see a tiger in the rugged 150 square mile park, but to aid our chances, we befriended a local expert tracker and guide. Did we succeed? Did I find the inspiration I was looking for? See for yourself in the short video below.

Hello, Inspiration. Or, as they say in India, Namaste.

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